portrait of cosimo i de' medici

Costamagna has suggested that this portrait – the only one in which the young Cosimo is shown wearing civilian clothing – is in all probability that one sent to Naples for presentation to his fiancée, Eleonora of Toledo, in advance of their nuptials. 48, repeats earlier attributions. Cosimo also was an active builder of military structures, as a part of his attempt to save the Florentine state from the frequent passage of foreign armies. It is housed in the Uffizi Gallery of Florence, Italy. Shown in the sober dark costume in the Spanish style which Cosimo is described as wearing soon after becoming Duke (D. Mellini, Ricordi intorno ai costumi, azioni, e governo del serenissimo gran duca Cosimo I, 1820 ed., p. 2), he stands within a palazzo flanked by doors framed in pietra serena, the famous blue-grey stone used for architectural detailing in Renaissance Florence. A similar pose was used by Pontormo in his Portrait of Carlo Neroni(?) Philadelphia Museum of Art, Philadelphia Cat. 278, c. 15; see Costamagna, 1994, op. Bernard Berenson, I Pittori italiani del rinascimento, Milan 1948, p. 272, no. Philippe Costamagna and Anne Fabre, Les portraits florentins du début du XVI siècle à l’avènement de Cosimo I: catalogue raisonné d’Albertinelli à Pontormo, II, Paris 1986, pp. Recent cleaning has retrieved the authority of this important portrait which was for years defaced with extensive overpaint. Physical Description Relief in porphyry set on an oval slab of serpentine ( verde di Prato ). 527. 5), but recently published by Cropper as possibly representing the Florentine nobleman Francesco Guardi and datable to ca. cit., p. 151). Portrait of Cosimo I de' Medici in Armour c. 1545 Oil on poplar wood, 118 x 99 cm Art Gallery of New South Wales, Sydney: Cosimo I de' Medici as Orpheus 1537-39 Oil on panel, 94 x 76 cm Museum of Art, Philadelphia: Portrait of Cosimo I de' Medici 1537 Oil on canvas, 118 x 88 cm The Hermitage, St. Petersburg: Eleonora di Toledo with her son Giovanni de' Medici In 1539 the artist entered the service of Duke Cosimo I de’Medici. Order Oil Painting. In his positions of court painter of the Medici, Bronzino was It is painted with thin, transparent glazes similar to the surface of the near-contemporary Portrait of Alessandro de’ Medici (fig. cit., p. 244). The J. Paul Getty Museum, Los Angeles, Fig. Cosimo was an authoritarian ruler and secured his position by employing a guard of Swiss mercenaries. Fig 121.1. The Portrait of Cosimo I de' Medici is a painting by the Italian artist Agnolo di Cosimo, known as Bronzino, finished in 1545. MS., Archivio di Stato, Florence, Carte Riccardi, fil. Cosimo had, at long last, rid Florence of the Spanish garrisons that had been stationed there since the early 1530s, when Pope Clement VII (Giulio de' Medici) and Holy Roman Emperor Charles V agreed that Florence would become an Imperial duchy, governed by the Medici. Philippe Costamagna, Pontormo, Milan 1994, pp. cat., p. 130. 14f, 58, no. Pedro de … 133, reproduced. Juni 1519 in Florenz; † 21. His head set high in the picture field, the handsome young Duke stands holding a book – the attribute of the literary man in Florentine portraiture – thus embodying, as Simon has noted, the ideal prince (Simon, op. Janet Cox-Rearick, ‘The Influence of Pontormo’s Portrait’, in Christie’s sale catalogue, New York, 31 May 1989. As Costamagna was first to suggest, Pontormo most likely re-used the cartoon for the earlier Getty picture in the genesis of the present portrait, making slight adjustments to the pose as the picture progressed (1994, op. You save $1.15 (10%) Size Please select a size Primary color Please select a color Quantity Please select a quantity Add to cart Whoa! cit., p. 96), the Philadelphia picture suggests that the beard was not yet fully grown, as does a sketch of the Duke, executed in 1543 by Baccio Bandinelli, which shows a rather uneven beard (whereabouts unknown; see Costamagna, 1994, op. PhD diss., Columbia University, 1982, pp. The painting is comparable to other portraits of Cosimo by Brina - a half-length in the Museo Stibbert, Florence, 1 and a very similar bust-length, sold Pananti, Florence, 16 April 2016, lot 245. Elizabeth Cropper, L’Officina della Maniera, exhibition catalogue, Florence, Uffizi, 1996, p. 380, no. Portrait of Cosimo III de Medici , Grand Duke of Tuscany, oil on canvas by Justus Sustermans Florence, Palazzo Pitti. His mother, Maria Salviati, was a granddaughter of Lorenzo the Magnificent; his father, the professional soldier Giovanni delle Bande Nere … 220-21, no. 7) is in turn closely based on that of Cosimo in the present portrait, which Costamagna refers to as the pivotal connection (il cardine) between Pontormo’s portraits of the first third of the century and those of Bronzino and his school. Some of the greatest portraits of Western art were painted in Florence during the tumultuous years stretching from 1512 to 1570, when the city underwent the transformation from a republic with elected officials to a duchy ruled by Cosimo I de' Medici. cat. Finden Sie perfekte Stock-Fotos zum Thema Cosimo De Medici sowie redaktionelle Newsbilder von Getty Images. Cosimo I de' Medici in Armour (by Agnolo Bronzino, ca. Bernard Berenson, Italian Pictures of the Renaissance. Duke Cosimo I de' Medici is shown as the mythological musician and poet Orpheus after having calmed Cerberus, the doglike guardian to Hades from which Orpheus wished to retrieve his wife, Eurydice. Portrait of Cosimo I de' Medici, Grand Duke of Florence as Orpheus, 1519 by Agnolo Bronzino, vintage male nude artwork, framed reproduction Price: $10.40+ … Duke Cosimo I de' Medici is shown as the mythological musician and poet Orpheus after having calmed Cerberus, the doglike guardian to Hades from which Orpheus wished to retrieve his wife, Eurydice. Find more prominent pieces of portrait at Wikiart.org – best visual art database. The painting is comparable to other portraits of Cosimo by Brina - a half-length in the Museo Stibbert, Florence, 1 and a very similar bust-length, sold Pananti, Florence, 16 April 2016, lot 245. Cosimo de Medici It has been identified as having been painted in the Medicis' Villa of Poggio a Caiano in 1545. Portrait of Cosimo de Medici the Elder , painting by Jacopo Pontormo Carrucci said 1519-1520, oil on canvas, 90x72 cm. It is lent by a private collection to the exhibition Grey Matters at Nicholas Hall in 2021. cit., p. 183). Portrait of Cosimo I de' Medici as Orpheus painting by Agnolo Bronzino. 258, n. 1; quoted Keutner, op. More recently, Cox-Rearick, Cropper and Fahy have all decisively endorsed Pontormo’s authorship. The medal bears a female figure supported by two spheres - an embodiment of Cosmography and, … Cosimo I however chaffed under the watch of the Spanish troops, and in 1543, in return for a monetary payment to Charles V, (the latter needed funds to fight Protestants in Northern Europe), the duke obtained the evacuation of the garrisons stationed in Florence. Historical significance: Tadda’s series of low relief Medici portraits, such as this example, demonstrate how he exercised his design sense, and illustrate the artistic goals he set for himself as a porphyry carver. Comments on the exhibition’, The Baltimore Museum of Art News, XXIV, no. 1) in Philadelphia. cit. Wählen Sie aus erstklassigen Inhalten zum Thema Cosimo De Medici in höchster Qualität. This Italy-related article is a stub. In 1548, he managed to have his relative Lorenzino, the last Medici claimant to Florence who had earlier arranged the assassination of Cosimo's predecessor Alessandro, assassinated himself in Venice.
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